The 77th Festival de Cannes winners’ list
After 11 days of an exceptional edition, the Jury of the 77th Festival de Cannes, chaired by American director, screenwriter and actress Greta Gerwig, surrounded by Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu and French actor and producer Omar Sy, presented its winners’ list among the 22 films presented in Competition this year.
Feature Films |
Palme d’or ANORA |
Grand Prix ALL WE IMAGINE AS LIGHT |
Jury Prize EMILIA PÉREZ |
Best Director MIGUEL GOMES |
Special Award MOHAMMAD RASOULOF |
Best Performance by an Actor JESSE PLEMONS |
Best Performance by an Actress ADRIANA PAZ |
ZOE SALDAÑA |
KARLA SOFÍA GASCÓN |
SELENA GOMEZ |
Best Screenplay THE SUBSTANCE |
Short Films |
Palme d’or THE MAN WHO COULD NOT REMAIN SILENT |
Special Mention BAD FOR A MOMENT |
Un Certain Regard |
Un Certain Regard Prize BLACK DOG |
Jury Prize L’HISTOIRE DE SOULEYMANE |
Best Director Prize ex-aequo ROBERTO MINERVINI |
RUNGANO NYONI |
Best Performance by an Actress ANASUYA SENGUPTA |
Best Performance by an Actor ABOU SANGARÉ |
Youth Award HOLY COW |
Special Mention NORAH |
Caméra d’or |
ARMAND |
Special Mention MONGREL |
La Cinef |
First Prize SUNFLOWERS WERE THE FIRST ONES TO KNOW… |
Joint Second Prize OUT THE WINDOW THROUGH THE WALL |
THE CHAOS SHE LEFT BEHIND |
Third Prize BUNNYHOOD |
The Higher Technical Commission for Sound and Images |
The 2024 jury of the CST Artist-Technician prize awarded the prize to Daria d’Antonio, cinematographer on Paolo Sorrentino’s Parthenope. Daria d’Antonio’s images give Parthenope perfect cinematography with grace and beauty. The 2024 jury of the CST Young technician Prize is proud to award this year’s prize to Evgenia Alexandrova, cinematographer on Noémie Merlant’s The Balconettes, for the quality of her photography, with its saturated colors and assertive lighting direction that transports us from comedy to genre film. |